| Sound Library | ||||||
|---|---|---|---|---|---|---|
| Sound Segment | Audio Format | |||||
| Description | Title | Run Time | RealAudio | AU | 14.4K Modem | 28.8K Modem | Direct Internet |
| Pahlavani Opening Short Length |
Ey Vatan - Master Vaziri | 0:46 | Play | Play | Play | Download |
| Pahlavani Opening Full Length |
Ey Vatan - Master Vaziri | 2:30 | Play | Play | Play | Download |
![]() Pahlavan-e Bozorg Razaz with one of his students Haj Bagher Miveh-chian |
Publisher's Note (Added 1/23/99)In Part 3 of Traditional Iranian Martial Arts, we cover the prevailing Misconceptions, Misinformation and Misrepresentations in this tradition.Publisher's Note (Updated 9/27/97)In Part 2 of Traditional Iranian Martial Arts, we cover Schools of Pahlavani and their main Pahlavans. We also added the Dedication section and the Reference section. Additionally, we updated the Timeline in the four periods within the history of pahlavani. Finally, the Dictionary section was updated. |
My study of Gholamreza Takhti suffered greatly due to lack of any reliable information about the history of Varzesh-e Pahlavani. There were veteran analysts and scholars who had access to information, but they decided they would not want to help me in my crusade. It seemed making money from the late Takhti was the echo of the day. I failed to make them understand that my publishing the Pahlavani tradition was not for personal gain or business adventures.
I was on my own. While I vividly remembered those scenes from Pahlavani exhibitions in my youth years, I knew well then that those shows could not represent the true image of Varzesh-e Pahlavani. Yet, I knew of no reliable sources to investigate the truth.
Sportestan Publishing is pleased to present for the first time a true and accurate account of the history of traditional Iranian martial arts published anywhere in the world. The publication of this series has become possible through the selfless contribution of Mr. Farzad Nekoogar. He is the author of this research and has offered his years of studies and investigation in the hope that after so many years of misconceptions and misinformation at last a true and honorable image of Varzesh-e Pahlavani can be realized.
Mr. Nekoogar is an electronics design consultant working in Silicon Valley (California). He lectures at University of California at Berkeley and Davis on Electrical Engineering and Theoretical Physics. He is also the author of several graduate-level textbooks in electrical engineering.
In his spare time he plays the Iranian instrument Setar and practices
the traditional Iranian martial arts. He has been researching this subject
for over fifteen years. Having had the honor of working with him on this
series for several weeks, I can safely and accurately claim that Varzesh-e
Pahlavani is his passion. He understands this tradition and is uniquely qualified
to bring to us what we should know about this purely Iranian tradition. You may
contact Mr. Nekoogar at
farzadquantum@hotmail.com and offer your feedback about this series.
However, throughout the last three thousand years it acquired, and was enriched
with, different components of moral, ethical, philosophical, and mystical values
of the Iranian civilization. As a result, Varzesh-e Pahlavani emerged as a unique
institution having incorporated the spiritual richness of Sufism, traditional
rituals of Mithraism, and heroism of Iranian nationalism. The heroes of this
academy are called Pahlavans.
Many of these Pahlavans were greatly responsible for revolting against Greeks,
Arabs and Mongol invaders throughout the history of Iran. Yet the word Pahlavan
has been misused throughout centuries, either by the scholars hired by regimes
who misrepresented facts to appease the regimes they worked for, or unqualified
writers who were not familiar with the institution of Varzesh-e Pahlavani, or
simply the masses who did not have access to reliable and accurate sources.
The history of Varzesh-e Pahlavani can be traced back to the Parthian Empire
of Iran (132 BC - 226 AD). Even the word Pahlavan comes from Parthia (according
to one of the most reliable sources on history of the ancient Iran, "History of
Ancient Iran" by Hasan Pirnia). According to Pirnia, there is a good chance that
even Ferdowsi (935?-1026? AD), the greatest Iranian mythical poet and historian,
was referring to the Parthian Period in his "Book of Kings" (in Persian
Shah-nameh) when he wrote about the mythical period of the Iranian history.
Mithraism reached its peak in this period and eventually spread from Iran to the
Roman Empire. There are striking similarities between rituals of Mithraism and
Varzesh-e Pahlavani. Even Mithraic temples are similar in structure to
Zoorkhaneh's, the place where the rituals of Varzesh-e Pahlavani are practiced.
We will allocate some space to cover these similarities in detail.
Unfortunately with the invasion of western values into Iran at the turn of the
century and the ignorance, as well as poorly designed policies, of the Pahlavi
regime towards this tradition, Varzesh-e Pahlavani has lost some of its
popularity and there exist a lot of misconceptions about this institution. The
goal of this series is to present Varzesh-e Pahlavani and its history in
several articles to the worldwide audience, including Iranians living in Iran
or abroad, who might not have a clear idea about the subject. Hopefully, we
can correct some of the misconceptions associated with Varzesh-e Pahlavani.
Also, many heroes of Varzesh-e Pahlavani such as Pahlavan-e Bozorg,
Haj Seyyed Hasan Razaz, also known as Pahlavan Shoja'at (~1853-1941), are almost
forgotten and instead heroes of the new generation of Iranians are superficial
Hollywood characters of the kind of Arnold Schwartzenegger. In my recent trips
back home, I was sad to see posters of these socalled supermen (Sylvester
Stallone, Van Damm, etc.) in sport shops and newsstands in Tehran. Yet I could
not find any poster or printed material about so many Pahlavans who have appeared
in the Iranian plateau.
The current literature on Varzaesh-e Pahlavani is limited to a few out-of-print
and outdated books and a series of articles written (mostly with incorrect
information) on the subject within the last fifty years. The only authentic
source I can mention that has approached a scholarly work in the area of
Pahlavani tradition is a recent book titled "The History of Wrestling in Iran"
by Mr. Mehdi Abassi. This book was brought to my attention by Hooshyar Naraghi
from Sportestan Publishing. One out-of-print book I can also mention as a reliable
source is "Tarikh-e Varzesh-e Bastani (Zoorkhaneh)" (translated as
"History of Traditional Iranian Martial Arts") by Mr. Hossein
Parto Beizai.
With the technology available to us through desktop and web publishing, and
the Internet itself as a medium of dissemination of information, I felt this is
the right time to present my research on Varzesh-e Pahlavani which I have
compiled within the last fifteen years.
A Table of Contents is provided at this time, and its topics will be presented
systematically in the Iranian Sports Homepage. This will be an evolving
endeavor and we will update our pages regularly. We will start with a general
timeline, the first timeline ever constructed, that shows the chronology
of the evolution of the institution of Pahlavani. The timeline will be also
updated regularly as it is going to be supplemented with pictures, audio, video
and content about the past three thousand years of Varzesh-e Pahlavani.
Farzad Nekoogar
E-mail: ish@sportestan.com
Design By: Systems Integrated Solutions
Introduction
Varzesh-e Pahlavani, widely known as Varzesh-e Bastani by mistake
for the past seventy years, was originally an academy of physical training and
a nursery for warriors against foreign invaders similar in purpose to Korean,
Japanese and Chinese martial arts.
California
September 1996
Table of Contents
Copyright © Systems Integrated Solutions, 1999
Copyright © Sportestan Publishing, Inc., 1999
All rights reserved